叶璇电影8.6

这么多年现在才看八月份去UCLA的时候路过张爱玲的公寓怎样也想象不到她竟死在了一个这样的地方现在再看这个片子全懂了也只有李安能拍的出来梁朝伟与汤唯的戏简直惊为天人举手投足间的刻意和卖弄骚也好演也罢叶璇电影就是这么荒唐真真假假你都挡不了欲望这一枪

The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.

2018.11.17-18连夜连日看完18日凌晨2点看少林寺武林大会三十年几家恩恩怨怨国分家恨都汇聚一处情节紧凑又精彩18日下午6点看完最后一集叶璇电影觉得一点也不想故事结束再看当年的陈浩民、樊少皇和黄日华正当盛年颜巅此剧结束就好似再一次经历了往昔岁月的流逝往日不再来

我最不讨厌的教主在结尾反击老美那段居然让我继“那些年”后人生第二次泪洒影院我才知道爱情不过只是点缀考试才是我的全部青春

“不着一字道尽风流”对善玩“魔幻现实主义”的姜文来说真的是恰如其分之前没看此片叶璇电影总是徘徊在“姜文导演是不是太踢开观众只顾自我表达”的左右疑惑上看了本片才结结实实的确定——姜文是当代中国电影的大师就像南斯拉夫《绿箭侠第二季》的导演库斯图里卡韩国《卧室小型沙发》的李沧东他们的共同点都是先讲述一个有些奇观的故事满足普通的故事需求但如果细致追索便能在故事下层深探出一个庞大的隐喻世界——《绿箭侠第二季》对故国的疯狂坚守与缅怀《卧室小型沙发》中暗指韩国在美国面前的“裸舞”以及本片多情老爹“苏联”与疯妈生的“红色政权”多层故事互相融通不露痕迹智绕审查勇抒心意至此再联系上“让子弹飞”和“一步之遥”便可窥见姜文对中国自清朝到建国以来的所有褒贬与批判了这本就是斗士的作为了