我的小峓子1.3

他需要的不是让人进来仅是让人注意到他的门铃可能是想炫耀自己的精神生活我的小峓子可能是太孤独所以太渴望分享分享因此代表一种承认不管怎样遇到按响门铃的人象征着获得理解他并不可笑谁能体会等待的孤独

8.2/10 •西部神话的建立 •神话的建立需要“坏人”影片聪明地设置了两个坏人一是作为他者的印第安人导演为其包裹上了一层神秘主义色彩以回避了对其内在的探索；二是银行家这一角色象征了人（白人）内心深处被压抑了的邪恶两个坏人都被塑造得十分纯粹而故事的神话性即在于纯粹的邪恶被剿灭了有缺陷的普通人也都在最终展现出了（对主角的）善意一切问题似乎都烟消云散了

炸裂好前两集除了加了个记者其他完全还原原著不过因为小说是先讲的侯亮平电视剧加这个记者估计是为了方便后面处理最关键的证据并且让节奏稍慢下来一点我的小峓子这个改动也可以接受宁理老师演技真的顶

The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.

黄泥菜三个人在一起不好笑可能吗因为哥哥才开始看的节目那时候的尺度我的小峓子是真的大啊